Yoshitomo Nara drumming girls artwork

Joanne Wang

I write on sunny days and at 2am

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Daifuku

I don't eat strawberries. This puts me in the awkward position of explaining daifuku's aesthetic perfection while never having experienced it myself.

But maybe that's the point - some things are beautiful enough that they transcend their function. If you're not too sure what a daifuku is, here's the ChatGPT-style description of this confectionery masterpiece: the ichigo daifuku sits there like a piece of minimalist sculpture, white mochi stretched thin enough to hint at the red beneath, a kind of edible Rothko where color fields blur into each other. And here's Joanne's description: someone decided to put a strawberry and some red bean paste in the middle of a mochi ball, and called it a daifuku.

Having been to Japan a few times, daifuku has come to remind me of spring and everything associated with it: the spring festivals, the cute red-on-white color combo, vendors shaping each piece with quiet pride, and kids running around in the alleyways.

And maybe in its essence, the Japanese figured out something that Western pastry chefs never quite grasped: sometimes the most elegant solution is also the simplest. The best user experience is the one that doesn't try to do too much.

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